- Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Interface
- Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Software
- Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Reviews
- Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Preamp
Berlin, 22 December 2017 – Future Audio Workshop are releasing Circle 2.1, the first major update to their flagship synthesizer. The update provides significant stability and processor usage improvements, updated graphics and a completely overhauled preset library.
Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Interface
The result of a partnership between programmers, mathematicians, audio professionals and visual designers, Circle made waves upon its initial launch in 2008 for its ground-breaking user interface, which foregoes the industry’s typical skeuomorphic approach to digital design. Instead, Circle’s intuitive interface reimagines how modular synthesis can look and work in the digital world with a very visual approach to sound design.
Crystal-controlled PLL synthesizer True diversity method 1/4 λ wavelength wire antenna (angle-adjustable) 23 Hz to 18 kHz (typical) 60 dB (1 kHz sine wave, 5 kHz modulation. Break away from presets and quickly create your own dynamic sounds. Explore the sonic possibilities of Circle² synth.
To open up a broader discussion about Circle and connect users worldwide, FAW have also launched the Circle User Community. The FAW team will be keenly active on the message board, so this is an ideal place to discuss feature requests, feedback, and to share your work.
Download Circle 2.1
Change-log:
– Fixed automation issues on both Mac and PC. Cookie 4 3 2 – rotect your online privacy. – Replaced all pop-up windows with new designs. – Re-design of the activation flows. – Fixed random crash in arpeggiator. – Fixed random crash when assigning midi controllers to parameters. – Fixed processor spikes when automating parameters. – Revised the included factory preset bank. – Added new presets to factory bank. – Update parameter system so presets load faster. – Reduced GUI load times. – Fixed Issue with Circle not seeing install folder, presets etc on Mac OS High Sierra. – Fixed reverb initialization occasionally causing silent preset. – Fixed crash when removing Circle from a track in Ableton Live 9.0 and 10.0. – Fixed issue with Step Sequencer going out of sync with the host. – Updated internal framework to JUCE 5.1. – Added vector optimisations to the filter and cable connections. – Fixed issue with sample rate not being set correctly in standalone. – Fixed issue with BPM not being set correctly in standalone. – Fixed issue with setup Midi controllers not being saved in standalone. – Fixed issue with the velocity of the onscreen keyboard always being full velocity. – Fixed issue with automation freezing the host if active when you change a preset. – Fixed a crash when midi learn assigning the same parameter multiple times. – Fixed issue with installer not overwriting old plug-ins and standalone on OSX.
Installation for Windows 2.1 Installing the iAXE To install the USB AUDIO driver, proceed as follows: 1) Power on your computer. 2) Insert the CD into your CDROM drive. 3) Locate the folder 'ASIOdriver' on the CD and open it. 4) Double-click on 'Setup.exe' to install the driver. 5) Follow the on-screen instructions. If it's audio related and you want to buy it, sell it, or look for it, then we are your one-stop, comprehensive resource. A mainstay of the audiophile world since the late '90s, AudiogoN is the largest, most respected high-end audio community in the industry. Denon TU-800 (1988, $500, photo, brochure, front panel operation, owner's manual part 1, part 2, service manual part 1, part 2, schematic, parts) search eBay A black-faced digital tuner, the TU-800 was a Stereophile favorite that was compared to the Onkyo T-9090 and 'enthusiastically recommended.'
The original Circle synth, created by a small studio – Future Audio Workshop, has garnered somewhat of a cult following by some of the forefront of the current generation of electronic musicians (think Guetta, Maus, Tejada).
The original Circle synth, created by a small studio – Future Audio Workshop, has garnered somewhat of a cult following by some of the forefront of the current generation of electronic musicians (think Guetta, Maus, Tejada).
The new release has been awaited with much anticipation, and it’s finally here. Circle2, everyone. Resume templates for ms word 2 1.
For those who don’t know it yet
Circle2 is a straightforward synth: The GUI is a very pleasing single window on black background with primary color minimal module information. Think iOS 8 in reverse. Beautiful, and contemporary. The left third of the single window GUI is the oscillator section – 4 oscillators, noise gen and feedback. Each oscillator gives you three wave type options: analog type (saw, sine, etc) wavetable (more on that in a bit) and a new type of synthesis called Vector Phase shaping. Not entirely sure what this type of synthesis is. On their website, they mention that it’s the result of collaboration with the audio research group at Maynooth University in Ireland. The synthesis technique seems to have been designed with modulation in mind – as you move the horizontal phase and vertical phase knobs the timbre and tone of the wave changes in a smooth and predictable manner, kind of like a phasey sounding filter cutoff and resonance.
Circle2 is a straightforward synth: The GUI is a very pleasing single window on black background with primary color minimal module information. Think iOS 8 in reverse. Beautiful, and contemporary. The left third of the single window GUI is the oscillator section – 4 oscillators, noise gen and feedback. Each oscillator gives you three wave type options: analog type (saw, sine, etc) wavetable (more on that in a bit) and a new type of synthesis called Vector Phase shaping. Not entirely sure what this type of synthesis is. On their website, they mention that it’s the result of collaboration with the audio research group at Maynooth University in Ireland. The synthesis technique seems to have been designed with modulation in mind – as you move the horizontal phase and vertical phase knobs the timbre and tone of the wave changes in a smooth and predictable manner, kind of like a phasey sounding filter cutoff and resonance.
The middle third is a mixer, a couple of effect modules, filter and vca, and on the right third, 5 modulation windows, where you can select from envelopes, LFOs and step sequencers. You can also use the oscillators as modulators, whether they’re engaged for audio or not. The LFO’s have 16 fixed shapes, but there are 2 per LFO, and you can blend between them (and modulate that blend!) I really liked that the sequencer has a smoothing function, that ultimately affects the sound quite dramatically, whether it’s being used directly on the sound, or to modulate another source. It changes the movement from the stepped clipped sound to a smoother glide.
At the bottom of the window is a bounce-up menu that contains three more effect modules, keyboard settings (arpeggiator, keyboard tracking), overall settings, midi and wifi control, and the preset window.
The preset window has the shape of most modern synths, in that it contains a characteristics menu to help filter the types of sound. You want a hard, moving, lead from the 90’s? Click the necessary filter buttons on the grid, and your choices narrow. It makes sense.
The effects are all solid – between the 5 modules, there’s a choice of 17 different High-quality effects. Standout to me were the reverb and bucket delay, that really gave a juicy and thick analog lushness to the sound, if you were looking for it.
Workflow
This is the easiest and most intuitive synth I’ve worked with in terms of creating sounds: a sound designers dream. The instant audio and visual feedback on the tweaks you make is very inspiring. I particularly liked the preview effect when it comes to modulation – Wherever there’s a colored dot from a modulation source you can pick it up with a mouse, and move it to an empty dot, at a modulation destination. As you hover your colored dot over the destination, you get an audio preview of what the modulation will sound like. If you like it, let go, and it becomes permanent. If not, move on to another empty dot, until you hear something you like. To undo a modulation, grab the colored dot, and drag it off the destination dot you just placed it on. Simple!
This is the easiest and most intuitive synth I’ve worked with in terms of creating sounds: a sound designers dream. The instant audio and visual feedback on the tweaks you make is very inspiring. I particularly liked the preview effect when it comes to modulation – Wherever there’s a colored dot from a modulation source you can pick it up with a mouse, and move it to an empty dot, at a modulation destination. As you hover your colored dot over the destination, you get an audio preview of what the modulation will sound like. If you like it, let go, and it becomes permanent. If not, move on to another empty dot, until you hear something you like. To undo a modulation, grab the colored dot, and drag it off the destination dot you just placed it on. Simple!
As more of a trial and error sound designer than mathematical whiz, I love this approach. The wavetable oscillator section is a large window of 110 wavetables. While you can’t tell exactly what sound each oscillator will make, it gives you a general idea. All the modulators (The LFO’s envelopes and step sequencers) trace an outline of where they’re at in the cycle, envelope or sequence respectively. This gives you a visual guide to where the sound is in its modulation. You can see for example if the LFO is running fast or slow, or whether the envelope is in the attack, decay or release stage. This is especially helpful considering you can have up to 5 LFOs, envelopes or sequencers at a time.
Little thoughtful bits
In the preset manager menu, there’s a characteristic called ‘my sounds’. Clicking that removes all factory presets from the list, leaving just the sounds you’ve created. Brilliant.
In the preset manager menu, there’s a characteristic called ‘my sounds’. Clicking that removes all factory presets from the list, leaving just the sounds you’ve created. Brilliant.
The upgrade is free for current users! Very generous.
The randomization settings – in the little popup window at the bottom of the GUI, is perhaps the best control over ‘random’ preset creation I’ve come across yet. It might be pure coincidence as I worked with it, but it seemed that the sounds that emerged were a lot more useable than with other synths that have similar processes. You can choose the percentage of randomization for most elements of the preset, whether you want to keep the modulations as they are, etc.
I loved that when you click the ‘midi learn’ button – yellow highlights cover every single option that can be selected, and when you select one, it pulses gently until a midi control is assigned. Simple, but clear and effective.
Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Software
Conclusion
I love this synth for several reasons. Firstly, I loved the layout and the look. I’m not a fan of skeuomorphism, and I dig this dimensionally flat yet really tasteful colorful design.
Secondly, I love the sound. The VPS oscillator is a fairly fresh sound – which keeps it fairly edgy and contemporary sounding, and combined with the wavetable (which you can add your own waves to) and the more trad analog stuff, you have a huge amount of flexibility when it comes to sound – and at a surprisingly low CPU cost.
Thirdly and mostly, I loved the balance of flexibility of modulation combined with the simplicity of the layout and the instant visual and audio feedback you get, making for very fast workflow and very quick beneficial results. All this combines to make a very nice package that will doubtless sell very well, and be used by many artists the world over.
I love this synth for several reasons. Firstly, I loved the layout and the look. I’m not a fan of skeuomorphism, and I dig this dimensionally flat yet really tasteful colorful design.
Secondly, I love the sound. The VPS oscillator is a fairly fresh sound – which keeps it fairly edgy and contemporary sounding, and combined with the wavetable (which you can add your own waves to) and the more trad analog stuff, you have a huge amount of flexibility when it comes to sound – and at a surprisingly low CPU cost.
Thirdly and mostly, I loved the balance of flexibility of modulation combined with the simplicity of the layout and the instant visual and audio feedback you get, making for very fast workflow and very quick beneficial results. All this combines to make a very nice package that will doubtless sell very well, and be used by many artists the world over.
Preview sounds from the FAW soundcloud:
Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Reviews
FAW are also releasing free tutorials on youtube teaching you how to make some classic electro sounds like this:
Circle 2 1 2 – Uniquely Intuitive Audio Synthesizer Tuner Preamp
For further details you can check more about it here. To buy Circle2 and support ANR please click on this link.
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